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Entries in film (50)

Thursday
Mar112010

#150 - limited appeal.

this past weekend, i decided to take advantage of my newly-acquired on demand capabilities & checked out the first four episodes of how to make it in america, hbo's newest series. the half-hour comedy-drama, which premiered back on valentine's day, is produced by most of the same dudes who produce entourage (including mark wahlberg) & it's basically a new york variation on the entourage concept. whereas with entourage you have a group of four dudes trying to make it in hollywood whilst occasionally partying their asses off, how to make it... features two dudes trying to make it in new york's fashion scene whilst occasionally partying their asses off.

as it is, the premise is sort of boring & the content's only slightly better. i have to say that after watching the first four episodes, i'm not all that impressed & if i wasn't a new yorker, i feel like i'd be even less so. like with bored to death, there's a lot of stuff going that's very nyc-specific & might not seem very interesting to folks who don't live here. here's what they've given us thus far:

Click to read more ...

Monday
Dec212009

nosh nook #201 - monday, december 21, 2009

theater chain puts a luxe twist on dinner and a movie (link)
12.21.09 - l.a. times - by richard verrier & jessica gelt

i've never visited l.a., but over the years i've definitely formed an opinion about the city from 3,000 miles away. basically, l.a. is a sprawling, autocentric megalopolis filled with bumper-to-bumper traffic, hollywood celebrities, gangsta gangstas, boob jobs/porn stars, a huge spanish-speaking population, corrupt cops, zen spirituality & the dodgers. it's a classy blend of excitement filling almost 500 square miles of southern california. that's A LOT of classiness. i mean, head down to skid row some time. i hear that area literally REEKS of luxury.

since l.a.'s a city that's largely driven by hollywood, much of its luxuriousness revolves around films. for instance, there's the moviegoing experience. the l.a. times reports that "australian theater operator village roadshow ltd" recently opened their first gold class cinemas "luxury movie theater" in pasadena & ooh la la is it luxurious(ish). thus far, they've opened three locations in the us.--two in the chicago suburbs & one in redmond, wa--& they have "plans to open as many as 30 luxury theaters nationwide over the next five years."

here's what it's like. once you've plopped down $29 for your ticket, you're ushered into a pre-film lounge by a concierge & when the movie's ready to start, you're seated in a 24-40 seat theater with "giant suede recliners, each with an oval table and glowing buttons that summon a server to take an order for a chilled martini, a plate of charcuterie or a chicken piccata sandwich." whilst watching the film, you can get items like "a $49 bottle of schramsberg wine," "a $14 plate of fried calamari" or "a $19 new york strip steak sandwich." that's tasty, tasty luxury, folks.

the times notes that luxury theaters that serve food & drink are nothing new. alamo drafthouse (in austin), mega-chain AMC entertainment, arclight cinemas (hollywood & sherman oaks), the bridge cinema de lux (near LAX) & muvico theaters (thousand oaks) already "offer many of the same amenities." i'm not sure if luxury theaters are exactly what he had in mind, but i had a college professor who felt that if we raised the price of movie tickets to make them comparable to a sporting event, play, or concert, people would have a greater respect for films & be more careful in choosing which ones they saw. i think it'd just make people go to the movies less, since movies are already a ridiculously expensive experience, but the opportunity to consume beef & get drunk whilst watching sherlock holmes does offer some appeal. too bad none of that appeal will likely come from the film.

Tuesday
Dec152009

#139 - documenting genius.

since i'm a genius myself, i feel like i'm qualified to say that the best part about being one is that if you end up going off the rails at some point, there's a good chance that folks will just chalk it up to you being an eccentric, madcap intellectual & just let you be your babbling, holes-in-your-shoes self. my favorite type of insane genius is the mad, musical type, so over the past week i checked out two films that document the lives of two such geniuses--wesley willis & lil wayne.

the first film--wesley willis's joy rides--came out on dvd last week & to mark its release, pitchfork had it available for viewing all last week, so i checked it out. the film gives us a glimpse into the life of wesley willis, the late artist from chicago. willis, who was known as much for being a for being a 300-pound schizophrenic as he was for being a prolific artist, released hundreds of songs in his lifetime. they're all simple pop songs with simple, humorous & sometimes obscene lyrics that almost always end with a company's tagline. there's "northwest airlines," which ends with "american airlines. we mean business in chicago." there's "oprah winfrey," which ends with "johnny rockets. it's the original hamburger." there's his biggest hit--"rock n roll mcdonald's"--which ends with "wheaties. breakfast of champions." obviously.

in addition to his musical output, willis also did countless ink pen drawings of chicago as he saw it, usually in extremely intricate detail. the filmmakers speak with him a lot & it's obvious that he was troubled, consumed by demonic voices that "shouted profanity at him" & as he described it, took him on "hellrides." still, until he died of complications from leukemia, he was known as a jovial guy & a prolific artist & the film does a great job of capturing both that & his mental troubles.

the second film--the carter--came out on dvd a few weeks back. it follows lil wayne around during the time that his last album (the carter III) was released & is directed by adam bhala lough, whose 2002 film bomb the system focused on nyc graffiti & won some festival acclaim. he does a good enough job telling the story of lil wayne. i'm only familiar with wayne based on his prolific output over the last few years & although i like what i've heard, i've never been able to understand what all the hype was about. it was that sense of "seriously...why is this guy so huge?" that made the carter an interesting film for me.

from what i've heard of his music, his beats are kind of boring, but the dude has a ridiculously intelligent lyrical vocabulary & carries a recording setup with him wherever he goes. from what i've heard of his lifestyle, dude's smoking blunts & rapping 24-7 & artists who are never sober but still manage to be both good & prolific intrigue me. the film opens with a disclaimer that lil wayne refused to do a proper interview, but regardless, after 90 minutes of seeing him in hotel rooms & on the bus, i was left with the feeling that he really thinks that he's the best rapper alive & until somebody else puts as much passion into rapping as he does, i'm not going to argue with him or fault him for smoking blunts 24-7.

so why did i enjoy these two films so much? it's largely because i'm obsessed with music & a lot of what i enjoy is made by mad musical geniuses. although the documentary i recently watched about him was totally boring, pink floyd's syd barrett & his descent into LSD insanity both make me sad & curious. when i watched the devil & daniel johnston, i was more interested in why daniel johnston has become a disturbed cult musician than in his music. artists are generally off by nature & when i get to see what makes them tick, i can't help but think that if they were "normal," it just wouldn't be the same.

#139 - documenting genius.
snack: mcdonald's grilled chipotle bbq snack wrap
drink: dixie blackened voodoo lager



in honor of the late wesley willis & his undying love for rock n roll mcdonalds, tonight i'm snacking on a mcdonald's grilled chipotle bbq snack wrap. since wesley died in 2003 & the snack wrap wasn't introduced until 2006, he never got to sample the wonder of the mcdonald's snack wrap, but i'm sure he would've wrote a sweet song about it if he'd had the chance. it'd be all like "mcdonalds snack wrap. you are healthy to the max. i like to eat you. you go good with the rock" with his signature keyboards behind it. it'd be way better than any song mcdonald's has ever used in any of their ads.

the grilled chipotle bbq snack wrap...as a snack, it's aight. i've eaten a ton of them in my day & if i had to choose a favorite snack wrap, the grilled chipotle bbq one would definitely win. since it's built back on the mcdonald's assembly line, it never comes out looking as awesome as it looks in their ads & signage, but they slather it in bbq sauce & i can easily be distracted by the right amount of bbq sauce. on top of that, they put it in a wrap. if you've been following the trends of the past decade, you know that that means that it's exponentially healthier. as far as chicken goes, the meat's pretty white & essentially acceptable, although i just saw food inc this past weekend & i'm pretty sure that the chickens that gave their lives to make my snack wrap didn't enjoy a life of struttin' in the meadow.

to pay tribute to lil wayne, i'm washing down the snack wrap with a bottle of new orleans' own dixie blackened voodoo lager. i was planning on trying out drank, the "relaxation beverage" that helps you "slow your roll" & is named after the cough syrup & soda concoction popularized by rappers like lil wayne. i stopped into hundreds of bodegas & corner stores over the past week trying to locate a can of the stuff to no avail, so i picked up a bottle of the blackened voodoo instead. it's made by the dixie brewing co, a brewery that has been around for just over a hundred years but is in bad shape these days because of what katrina & the successive looting did to the brewery. apparently their website got looted too.

i first tried the blackened voodoo just after college, when i was living with this guy named dave who was a mad genius in his own right & one of the first people i knew who picked up six packs of good beer. at the time, i was more of a "twelve-pack of red dog" sort of guy, but dave would occasionally come home with six packs of stuff like the blackened voodoo & offer a few up while we sat around & talked about the mysteries of bog butter. i remembered the blackened voodoo being a lot darker & blacker, but it's actually a dark brown sort of color & is smoother than i remembered. i'm probably just remembering it that way because i like to think that my past was darker than it actually was though. after all...a dark past is a sign of a true genius.

Monday
Dec072009

nosh nook #191 - monday, december 7, 2009

coming to a theater near you: the snack police (link)
12.7.09 - smartmoney - by kelli b grant

i have to be honest with you. pretty much every time i go to the movies, i'm at least sneaking in a soda. like most rational human beings, it kills me to pay $4.00 for a friggin fountain soda. it's just insane. are we living in japan or something? i mean, i get it. theaters make a huge portion of their money off of concession sales, so they need to keep that revenue stream pumping. unfortunately, we're living in a crap economy & money's down all around for theaters, concessions included. as a result, theaters are starting to crack down on people cutting into their precious concession revenue by bringing stuff in with them. just last week, the second biggest theater chain, amc theaters, announced that they're ending their policy of letting people bring snacks into the theater. they figure it's time for us cheapskates to start ponying up at the concession stands.

since the movie theaters are trying to milk us for all we're worth at concessions, smart money has a few tips to help us save money elsewhere when we're venturing out to the cineplex during these tough economic times. basically, their tips add up to a bunch of ways to take advantage of discounts. for starters, lots of theaters have loyalty clubs that "offer gratis and reduced-price snacks" at those lame times when nobody goes to the movies, which works out swimmingly because you're also trying to save money by going to a tuesday matinee. luckily, you & your three closest friends are unemployed, so you can easily work it into your schedule. even if you're still employed, you can buy packs of vouchers that offer discount prices on concessions.

their best suggestion is to "pick your movies carefully." i couldn't agree with this point more. there is no reason that you need to rush out & see madea goes to jail in the theater. trust me, you can wait until it comes out on dvd. if you're going to see crap, at least go see something like transformers, something that requires a big screen to really appreciate all the extraneous explosions. it's pretty self-explanatory. stop seeing so many crappy films & you'll save money.

as a service to my readers, i'm going to offer up a movie savings tip of my own: just keep sneaking snacks in. laws are meant to be broken, people. it's not like a theater's going to pat you down on the way in, so you can easily smuggle in a candy bar & a couple of nips no problem. it's no $10 jumbo popcorn/soda combo, but you don't need that crap anyway. from what i hear, that combo has as many calories as a small baby. nobody should eat an entire baby during a summer blockbuster. it's just not healthy.

Monday
Dec072009

#138 - the limits of my patience.

a little over a decade back, i was a plucky, naive & young boston university film student without a care in the world. growing up in NH, the pinnacle of film for me was a few good men, but soon after i arrived at school, i discovered that there were a million films out there, independent & otherwise, that were much better than a few good men. i'd thought that i loved film, but it was during that time that really fell in love with film. it was also during this time that i came across the films of the man who became my favorite director, jim jarmusch. he has this style of storytelling where it's about the characters & not the story, where he doesn't beat you into submission with the plot. often, there isn't even a plot to speak of in his films. instead, there are beautifully shot scenes where characters who always seem to be on the move drive the film forward through dialogue. i eat that shizz up & to me, his films are a perfect example of film as art.

about a week back, i finally checked out his latest film, the limits of control, which came out on DVD back in mid-november. it stars isaach de bankolé as "lone man," a criminal on an undefined mission in spain. a lot of critics hated it. it's definitely the most minimalist of all his films & i have no doubt that it's a difficult film for the average movie goer to handle. i even had to go back a few times this week & watch it again to fully understand what he was going for. still, it's definitely SLOW going. you can count the lone man's lines of dialogue on your two hands & throughout the entire film, we're not even clear as to what his objectives are. all we know is that he's in spain & he keeps meeting people (none of who have names) at cafes, where they exchange matchboxes with pieces of paper in them that appear to give him the next steps in his vague mission.

jarmusch has always enjoyed meditating on repeated imagery & scenarios in his films (see 2003's coffee & cigarettes) & in this film, he meditates on this cafe matchbox-swapping scenario, pairing a dead-silent de bankolé with a host of characters played by such folks as john hurt, tilda swinton & gael garcía bernal. each character he meets has their own personality & through comparing these personalities & the lone man's reactions to them, we get some idea of who the lone man is. that's the central device jarmusch uses in the film. since he's paired the lone man up in one-on-ones with a cast of characters, the lone man doesn't even have to speak for us to get a sense of his character. in addition to the cafe scenes, there are appearances by paz de la huerta (who plays "nude" & is totally true to her name in EVERY scene she's in) & bill murray (who appears late in the film).

every shot in the film is artfully constructed, which, along with the fact that you never quite know what's going on, helps to give the film a dreamlike feel. jarmusch was definitely going for a dreamlike feel. in the dvd extras, there's a "making of the film" documentary that opens with jarmusch walking the streets of spain, talking about what is essentially his motivation behind the film. he says that he likes music, so he knows a lot about music. he also knows a lot about the history of movies. although he knows about & enjoys those things, he is more fascinated by all the things that he doesn't yet know about. in the limits of control, there are a lot of things that you don't know, but if you're okay with that, you'll enjoy it for what it is...a film that's not his best but is still a work of art.

#138 - the limits of my patience.
snack: r.w. garcia organic veggie tortilla chips
drink: maine root root beer



to keep myself busy the first time i watched the limits of control, i snacked from a bag of r.w. garcia organic veggie tortilla chips. r.w. garcia's a san jose-based company who's been making "premium tortilla chips since 1982." they're relatively primo, i suppose. the veggie ones are tall-natural & organic & gluten free, so they've got the healthy snack thing going for them. with the veggie ones, you get three flavors--spinach & garlic, red beet & onion and carrot, tomato & sesame. out of the three, i preferred the red beet & onion ones, but the flavor in the chips is baked in & subtle, so i didn't notice a huge amount of difference between the three.

according to the bag, they're "for more than just salsa" & although they are pretty good just on their own, i ended up eating them with a number of different salsas over the past week. it's mostly because i've been growingly increasingly obsessed with fruity salsas recently, ones made with peaches & raspberries & such, so i had to indulge that obsession. the veggie chips made a nice complement, especially since they're a firm, crunchy chip that you can scoop a good amount of salsa on to. like i said though, you don't need salsa. maybe you're a communist & you hate salsa. you can still enjoy these chips & i'll try to avoid questioning your twisted motives.

for my beverage, i went with a bottle of one of my favorite beverages of late, maine root root beer. it's brewed out of scarborough, maine by two brothers who formed the company four years ago. they started it after one of the brothers, who worked at a portland restaurant & was sick of the sub-par root beer selection there, began brewing his own root beer. four years later, they're brewing a ginger brew, a sarsparilla & blueberry, lemon-lime & mandarin orange sodas in addition to the root beer. they even have a pumpkin pie soda that they brewed a batch of for the fall, which i can say from experience is pretty damn good but also pretty damn sweet. they're available all around the country & if you've got a whole foods near you, you'll find their stuff there.

as for the root beer, it's one of the best root beers that i've tried to date. it doesn't have an overly carbonated makeup like you find in commercial root beers like a&w and barq's, so when you pour it, it settles nicely in the glass, with a head & everything, just like a draft beer would. when you drink it, it also has the same smoothness as a draft beer. if you're used to drinking commercial root beers, the flavor of the maine root root beer's very similar, but with less carbonation & syrup mucking up the flavor, making for a much more enjoyable beverage. it's made up of all-natural ingredients like extracts of wintergreen, clove and anise & overall, it's just a cleaner, better drinking experience. as far as root beers go, it's a work of art.